goto41 (August 22, 2008 at 12:33 pm)

is there a part in this film where a girl talks about "being famous"? somehow an ironic moment?

z0rgz0rg (August 1, 2008 at 11:56 am)

this clip is probably the most abstract in all of the movie. the rest of it is fairly straightforward.this video gives the impression of a much more vague and incomprehensible film than the movie actually is.

jhk712 (July 29, 2008 at 3:17 am)

i rate movies and this is my no. 1 of all-time. (citizen kane is #2). bergman is greatest film-maker ever. among male artistic giants in all fields, only willie s. cud match him in understanding and portrsying women i'm also a san francisco 49er fan and bergman and bill walsh died the same day: two men of genius gone.mh

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bringeroffunerals (July 11, 2008 at 4:24 pm)

That's creepy but Bergman was a master at film making and is rightly regarded as a legend.

GiantDevilfish (July 9, 2008 at 7:33 pm)

Existentialism itself is a product of history and in this instance (if not every) bourgeois. Yes, Bergman's work is more complex but then one must ask, Who is Bergman?

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Calvarienberg (July 9, 2008 at 6:48 am)

Hollywood productions are and always were dominated by one-dimensionality, predictability and shallowness. Bergman's films are works of art, depicting the immense complexity of human desires. In "Wild Strawberries" Isak Borg, the old embittered man, is the prototype of an existentialist - Bergman's most used philosophy of life (existentialism) in all of his films.On top of that the beauty and precision of the visual design make this movie so wonderful and -at least for me- an ageless jewel.

USCHoodman (July 8, 2008 at 9:19 pm)

for me as well, his most accessible in my opinion as well

GiantDevilfish (July 8, 2008 at 4:56 am)

Genius? Only if Bergman's depiction is of the bourgeois condition not the "human" in a transhistorical sense. Here we see Western narcissism writ large: the loner, enslaved by his autonomy and isolation--what is the difference between this representation and Heston's Omega Man? Is it that the latter embraces his isolation in bravado? Virility? Bergman's old man is a product of history, but not a Being of/for all ages.